Russel Albert Daniels is a photographer based in Salt Lake City, Utah. His work concentrates on Native Americans’ resilience and identity as well as others’ attempts to erase their cultures. His projects about Two Spirit culturally specific gender issues, the controversies over protecting Bears Ears National Monument, missing and murdered Indigenous women and girls, and the Dakota Access Pipeline protests near the Standing Rock Indian Reservation in North Dakota, have helped bring forward critical conversations from Indian Country. Daniels says: “My work is an act of self-discovery of my Diné, Ho-Chunk, Mormon settler, and European heritage. In the mid-1840s, White River Ute people abducted my great-great Diné grandma Rose when she was five years old. After years in bondage, the Ute traded her to Aaron Daniels, a polygamist Mormon frontiersman. She spent time as a servant within his different households. Decades later, he and Rose married and had four children. The family enrolled in the Northern Ute tribe in northeastern Utah. The enduring legacy of human trafficking and white supremacy over Native Americans is frequently ignored by Anglo America. I use storytelling to shine a light on the disenfranchisement this ignorance causes.”
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